Our June selection for our Record of the Month Club is finally here! Otis Redding’s voice is truly unlike any other and we hope most of you already own his masterpiece, Dock of the Bay. For this month we’ve selected the newly released Dock of the Bay Sessions–giving the listener a look and a listen inside the studio with Otis and his band has they shaped one of the greatest soul albums of all time.

Club members will get a copy of the record plus an exclusive poster made specially for our ROTM Club. Members will also get entered into a raffle to win a rare Hatch Show Print poster plus a paperback copy of the recent Otis Redding biography by Jonathan Gould.ย 

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Otis Redding was on top of the world in 1967, highlighted by a career-defining performance at the Monterey Pop Festival. Returning to Memphis that fall, Redding began to explore different musical influences when he entered the studio to record his next album. Tragically, those sessions were cut short after only a few weeks when the singer died in a plane crash on December 10, 1967, leaving his vision for the album unrealized. While there will never be a definitive idea of what Reddingโ€™s next album would have been, this new collection is the first to show what could have been.

Rhino is releasing DOCK OF THE BAY SESSIONS as part of the ongoing 50thย anniversary celebration of โ€œ(Sittinโ€™ On) The Dock of the Bay.โ€ Friday, March 16, marks the actual 50thย anniversary of the legendary single topping both the pop and R&B charts in 1968 and becoming Reddingโ€™s first #1 hit.

DOCK OF THE BAY SESSIONS was compiled with input from Roger Armstrong of Ace Records and Otis biographer Jonathan Gould and has the Redding familyโ€™s full endorsement. Although the individual tracks have been previously released across a smattering of posthumous albums and compilations, this marks the first time they have been assembled to resemble what this album could possibly have been. In the liner notes, musician-journalist Bob Stanley writes: โ€œThis album is the first indication of a new Otis Redding, one that has slayed audiences in Europe, one which won him a whole new crowd at the Monterey International Pop Festival.โ€

You can hear it in the stripped-back funk of โ€œHard To Handle,โ€ and the shades of Bob Dylan โ€“ whose music Redding loved โ€“ in the beautiful lyricism of โ€œGone Again.โ€ Even so, his take on the Impressionsโ€™ hit โ€œAmenโ€ makes it clear that Redding hadnโ€™t abandoned his gospel roots. He hadnโ€™t forgotten how to get people dancing either. On the rave-up โ€œLove Man,โ€ The Big O gets things shaking with help from Al Jackson Jr.โ€™s propulsive beat, and rhythmic blasts of pure Memphis horn. And just to prove he can still provide heart-stopping ballads, thereโ€™s his own โ€œIโ€™ve Got Dreams To Remember,โ€ with lyrics Redding adapted from a poem written by his beloved wife Zelma.

The albumโ€™s opener, โ€œ(Sittinโ€™ On) The Dock Of The Bay,โ€ was one of the last songs Redding ever recorded. Released in January 1968, it soon topped the charts on March 16, going on to sell more than four million copies and becoming the first posthumous #1 single in the history of the U.S. music charts.