We’re pleased to announce the release of the 30th Anniversary vinyl reissue of The Frogs cult classic, It’s Only Right and Natural. The record was originally released in 1989 on Homestead Records.

The vinyl reissue features remixed and remastered audio(the original album was accidentally pressed in mono when released in 1989) and comes housed in a gatefold sleeve with newly added artwork (same classic cover!) plus track-by-track liner notes and intro by Jimmy Flemion.The record hits finer record stores everywhere on August 16th. Check out a few tracks on Bandcamp here.

PREORDER YOUR COPY HERE. ALL PREORDERS WILL GET A FREE FROGS BUTTON AND WILL BE ENTERED TO WIN A TEST PRESSING OF THE ALBUM.

 

The album was one of Kurt Cobain’s favorites. It was #14 on Kurts infamous list of Top 50 albums.

“The insane secret of the record is it’s perfect”-AllMusic (read the full review here.)

“I would walk into Kims Video on Bleecker Street or Other Music and ask for things, and they would go, Oh, have you heard of the Frogs?The Frogs albumIts Only Right and Naturaltotally blew me away. It was this weird gay concept record, but they werent gay. They were these brothers from Milwaukee who used to dress up in fairy costumes. One of the brothers would play a huge kettle drum and almost do these quasi-surrealist minstrels. The music was so good because it wasnt really just conceptual, it was pop; once you got over the crudeness of the lyrics, the songs themselves were beautiful pop music.” – Harmony Korine

Read the press release below:

Long before Dennis and Jimmy Flemion found themselves adopted by avatars as far flung as Jim ORourke and Sebastian Bach, before their Cause c矇l癡bre lead to a near-boycott (of a record label no one was buying records from anyway) and certainly before Beck Hansen had the bright idea to sample, that was a good drum break from I Dont Care If U Disrespect Me (Just So You Love Me), there werethe songs. The goddamnMade Up Songs. On cassette tapes. Legend has it they fell into the hands of my friends and I due to the patronage of one or two midwestern underground rock luminaries but I prefer to believe it was an otherworldly intervention that first brought Out Of The Mist to my basement boom box (albeit on the flilpside of a live Die Kreuzen recording). To call the impact seismic would be an understatement ; Ive yet to recover!

Is it fair to say that arm-twisting the Flemions into a thematically consistent Its Only Right & Natural did their prior and future works a disservice? Probably. Simply because its one of the most inspired albums of all-time, DIY or not doesnt mean they peaked (if youre inclined to investigate further, youll figure it out. And if youre not inclined to investigate further, Im pretty sure you and I have absolutely nothing to say to each other). Is it fair to say Homesteads ill-advised attempt to claim FROGS was an acronym for FOUNDING REVOLUTIONARIES OF GAY SUPREMACY was a profoundly stupid gesture, guaranteed to lead to no good whatsoever? Not exactly. I dont remember getting any advice.

All of that aside, IOR&N more than holds up as a monumental WHAT THE FUCK moment in pop history, even if it only skims the surface of the brothers respective skill sets and vast influences. Many of us have the albums lyrics, Jimmy and Dennis vocal delivery committed to memory, though bear in mind, those in possession of the Homestead CD version only heard some bizzaro mono mix (THIS WAS SOMEONE ELSES FAULT, BLAME ME FOR EVERYTHING BUT THIS) so theres every chance this might be the first time youre hearing this glorious album the way it was truly intended. And if you are having that wondrous experience being introduced to such a rich cast of characters (Hot Cock Annie, Baby Greaser George Richard Dick Richards), it would be an overstatement to say I envy you. But only a very slight overstatement (for instance, it might depend on what you look like and how much money you have).

LOVE YOU DENNIS, THANKS FOR EVERYTHING.
FROGS 4 EVER

Gerard Cosloy 2019

 

“There are bands, and then there are groups. And The Frogs, from Milwaukee, Wisconsin, just a short shot north of America’s Midwest, are a fine group. These days being in a band means as much about perception as calculation, but there is little manipulation in this group because you see, The Frogs just are; point is they exist. They shouldn’t really, because they are either too good for rock and roll, or too politically incorrect to matter. But they are one of the greatest rock groups to come out of the 20th century precisely because they are too good for rock and roll, and too smart to care about caring. Fine tunesmiths, they craft memorable hooks out quite readily before stomping on them because they dare to exist. Nothing is sacred, but the reverence is there for the unspeakable uncomfortability that is at the heart of merging electricity and feeling and commerce. They have neither won nor lost, they persist. Deal with them before they put you in their sights and deal with you by ignoring what you care about. Their agenda is clear; to love, but never in the way you love. Their love is strong, willful, and brutish. make a wish, and they can make it come true.” – Billy Corgan (The Smashing Pumpkins)

 

Extended Band Bio:

One of the more remarkable acts to emerge from the indie rock scene of the 1980s and ’90s,the Frogs were a group with something to attract and offend nearly everyone — they were canny songwriters who could write and perform melodically satisfying tunes in a variety of styles, but they enjoyed marrying them to lyrics that were usually absurd and frequently offensive, drawing eccentric humor from issues of race, sex, contemporary culture, and the music business. While the larger mainstream audience never embraced them, for a band so eager to polarize they managed to be exposed to far more listeners than one might have expected, largely because their fan following included a handful of important alt-rock tastemakers, includingKurt Cobain,Eddie Vedder, andBilly Corgan.

The Frogs were formed in 1980 by two brothers from Milwaukee, Wisconsin, guitaristJimmy Flemionand percussionistDennis Flemion(both doubled on keyboards), and while a number of other musicians would work with the group over the decades, the Flemions would remain the creative core ofthe Frogs, often performing and recording without further accompaniment. The Flemions started playing coffeehouse gigs in their hometown as a duo, and expanded to a three-piece with the addition of bassistJay Tiller, who also worked with the groupCouch Flambeau. The Frogs’ enthusiastic embrace of the absurd and the outr矇 made itself know early on, whenJimmyfashioned a large pair of wings (resembling those of a bat or an angel, depending on who you ask) he took to wearing on-stage at their frequent shows in the Midwest, along with wigs and faux-glam rock costumes that were part of the band’s low-budget stage spectacle. In 1988,the Frogsreleased their self-titled debut album, a set of tunes that walked a tightrope between power pop and glam rock; the album came and went with little notice, but a few months later, a set of lo-fi living room recordings by the Flemion Brothers made their way toGerard Cosloy, then running the noted indie label Homestead Records.Cosloywas quite taken with whatthe Frogscalled their “made-up songs,” partially improvised as the tape rolled, and he assembled 14 of their dozens of “made-up” tunes into an album. 1989’sIt’s Only Right and Naturalconsisted of eccentric folk-rock numbers dealing with homosexuality, suggesting a fusion ofDavid Bowie’sHunky DoryandT. Rex, and embracing a gleeful tastelessness on songs like “I Don’t Care If U Disrespect Me (Just So You Love Me),” “Dykes Are We,” and “Been a Month Since I Had a Man.” Facetiously billingthe Frogsas “gay supremacists,” Homestead turnedIt’s Only Right and Naturalinto an underground success. In 1995, Matador Records released a Christmas-themedFrogssingle, “Here Comes Santa’s Pussy,” and another album of “made-up songs,”My Daughter the Broad, followed in 1996.

Whilethe Frogs’ recording career seemed to have hit a plateau, as a live act they were faring quite well;Kurt Cobain, who was a fan ofIt’s Only Right and Natural, had taken to talking the band up in interviews, and their fame spread among savvy fans of underground rock.Billy Corganwas fond enough ofthe Frogs’ music that he invited them to open forSmashing Pumpkinson a 1993 tour, and in early 1994,Eddie Vedderfollowed suit, bookingthe Frogsto open for a string ofPearl Jamdates.Becksampled a line fromIt’s Only Right and Naturalfor the song “Where It’s At” on his breakthrough albumOdelayin 1993, and in the summer of 1994,the Frogsplayed the second stage of that year’s Lollapalooza tour, withCorganregularly joining them to play the jaded rock star’s anthem “I Only Play 4 Money.”Vedderwould also sing the same tune withthe Frogson-stage, and in 1995, they received a unique endorsement fromPearl Jamwhenthe Frogs’ cover of “Rear View Mirror” became the B-side ofPearl Jam’s “Immortality.” In the summer of 1996,Smashing Pumpkinslost their touring keyboardistJonathan Melvointo a drug overdose, andDennis Flemionwas recruited to take his place for an arena tour that extended into early 1997, making him a genuine rock star for a few months.

TheFrogs’ relationship withSmashing Pumpkinsalso helped to kickstart their recording career.Corganproduced an EP for the group,Starjob, a song cycle about one alt-rock star’s rise and inglorious fall (withCorgancredited as “Johnny Goat”), and whenCorgan’s bandmatesJames IhaandD’Arcy Wretzkyhelped launch a Polygram-distributed label called Scratchie Records,the Frogswere signed andStarjob became their first release with major-label distribution. However, the disc sold little better thanthe Frogs’ indie label releases, and their next album, another collection of their “made-up” home recordings calledBananimals, was released in 1999 by the independent Four Alarm Records.

TheFrogsgrew increasingly cynical about the music business, and in 2005 they cut back sharply on their live appearances and stopped releasing new music, though their archives of “made-up” songs circulated widely among fans. TheFrogsseemed poised for a revival when the group released two albums digitally in July 2012, Count Yer Blessingsz and Squirrel Bunny Jupiter Deluxe, but only a few days after the albums were released digitally,Dennis Flemionwent for a swim while joining family and friends for an afternoon of boating on Wind Lake in Racine, Wisconsin. He went missing, and was discovered dead several days later; he was 57. In a memorial essay posted on the Matador website,Gerard Cosloypraisedthe Frogs, writing “With the possible exception ofBob Pollard, it’s hard to think of anyone nearly as prolific as the Flemions, and you could certainly make a case for their catalog being every bit as impressive.”